
Home Movie
Home Movie deals with our emotional responses to the connotation of “home” as a place of warmth, comfort and affection. Home as a metaphor for identity, of domestic bliss, conflicts and routines. The place where to welcome and where to close the door and be by ourselves. Where we feel safe and where dishes can pile up. The utopian emotional location we recollect with nostalgia. When talking about home, we often regress to childhood and refer to the place we grew up.
In its most simplified gesture, the home is a microcosm of the world where are constantly traced thresholds and broken boundaries.
The audience in this project is more exposed, and present, than in other performances. Home Movie is a sort of rite of passage that invites the public to explore and become familiar with the performing space, that constructs and deconstructs rooms within the room. The gate, the corridor, the inner walls of the house, the blueprint, the maquette; its rooms continuously keep suggesting narratives and associations. And the audience, by locating, and relocating themselves, through proximity and changes of view point, might shift between being the guests at some weird event, or a bizarre family party, or the witnesses of recollection of private fictional memories. The five dancers on stage rediscover daily rituals embodying a physical cartography that keeps transforming in front of our eyes: the sense of ‘everyday’ experienced during a lifetime. The gesture of welcoming becomes an iconic forgotten language, connecting and rejecting at the same time, in a short circuit of contradictions. And the exploration of the architecture of the space itself, exposes different ways of becoming familiar with that environment, with each other and with the audience.
The image of the house becomes the topography of our intimate being: people need houses in order to dream, in order to imagine. A politic of the gaze, juxtaposed to the impression of the glance: epiphanic and restless. Home Movie is calling for understanding of a house as universe of intimacy and immensity.
Credits
- Concept, choreography
- Francesco Scavetta
- Created in collaboration with the dancers
- Carl Aquilizan, Robin Haghi, Anika Edström Kawaji, Gry Kipperberg, Thomas Vantuycom
- Music and sound design
- Kim Myhr
- Dramaturgy
- Saša Božić
- Scenography
- Francesco Scavetta, Luciano Goizueta
- Light design
- Stefano Stacchini
- Costume design
- Maren Saedi
- Costume assistant
- Mari Ballangrud
- Carpenter
- Anders Hamre
- Production
- Wee
- Co-production
- Dansens Hus Oslo, Vitlycke – Centre for Performing Arts
- Supported by
- Arts Council Norway, Fond for lyd og bilde, Fund for Performing Artists, Oslo Kommune