About

I’m a dance and performance artist drawn to the infinite complexity of movement and the beauty of thinking bodies. Where dance and music meet is where I feel most at home — in choreography that gives music a body and makes movement deeply musical.

My path into dance was indirect. I first studied economics before graduating from P.A.R.T.S. in 2014, where I arrived as something of a late bloomer and left with a network of artists who would become long-term collaborators. My career began in freelance work before several years with the company Rosas. Later, the variety and unpredictability of independent projects drew me back to freelancing.

In 2021, I created my first choreographic work, Electric Life, in collaboration with Elisabeth Borgermans. Set to Stravinsky’s Petrouchka and performed by nine young dancers, it explored the score’s abrupt shifts and abundance of ideas as a reflection on modernity and the body’s place within it.

My recent work, Petty Bison, pushes further into abundance. Created for four dancers, the piece embraces density, excess, rhythm, and rapid transformation, presenting an aesthetics of joy in which virtuosity and detail coexist. It is my love letter to dance.

I’m also part of Y-Collective, an artist collective working to connect Brussels youth with dance and the wider arts.